Title | Korea |
Call Number | JLP 447 Alb. 9 |
Date | approximately 1900 |
Description | Album is bound in textured black material. The number "9" is embossed in gold in the center of the cover. Number "9" is also affixed to spine with glue.Contains photographs taken by Jack London while on assignment to cover the Russo-Japanese War. |
Notes | Slight wear on spine. The photographs in this album appear to be for the most part commercially produced for tourist trade and sale to newspapers. Not taken by London. |
Physical Description | 1 photograph album; 100 pages; 18 x 26 cm |
Subject | London, Jack, 1876-1916. Russo-Japanese War, 1904-1905. War correspondents. |
Genre | Photograph albums. (aat) |
Department | The Huntington Library, Art Collections, and Botanical Gardens. Manuscripts Department |
Physical Collection | Jack London Collection |
Digital Collection | Jack London Photographs and Negatives, Huntington Digital Library |
Finding Aid/Guide to Collection | http://www.oac.cdlib.org/findaid/ark:/13030/tf8q2nb2xs |
잭 런던은 샌프란시스코 이그제미너의 러일전쟁 취재요청에 응해서 증기선을 타고 (1) 일본 잠입 취재 (2) 부산 일본 전진기지 잠입취재 (3) 조선 제물포 잠입취재등 무려 7년여에 걸처 3차례를 일본과 조선을 방문하여 취재를 합니다. 취재기간 동안 일본군의 명령을 어겨가면서도 나름데로 구석구석 취재를 했습니다. 그 덕에 일본군에게 2번씩이나 체포되고 구금되어 루즈벨트 대통령이 외교적으로 손을 써서 풀려나기 까지 했지요. 더군다나 잭런던은 샌프란시스코 만 건너편 유시 버클리 옆동네 오클랜드에 본부를 둔 미국 사회주의 단체의 창설자중에 한명이기도 합니다. 그 단체는 미국 공산당의 모체가 된 단체입니다. 잭런던의 취재는 객관성을 가지고 단순 취재를 했다고 봐야 합니다.
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잭 런던(Jack London)은 1876년에 샌프란시스코에서 친부의 낙태권유를 뚫고 태어납니다. 엄마는 플로라 웰맨(Flora Wellman)으로 팬실바니아 커넬을 만든 마샬 웰맨의 막내딸로 골드러쉬로 샌프란시스코에서 와서 성공을 거둔 여장부입니다. 잭 런던의 친부는 윌리럼 체니(William Chaney)인데 1906년 대지진때 기록이 소실되어 법적으로도 부부였는지는 알수가 없습니다. 엄마가 존 런던과 재혼하여 양부의 성을 따르게 되었습니다. 잭 런던이 유시 버클리 대학생 시절에는 친부 윌리럼 체니가 생부임을 부정하는 편지로 상처를 입고 대학을 때려치우고 금광탐험을 하여 성공합니다.
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잭 런던이 쓴 유명한 소설로는 'The Call of the Wild', 'White Fang', 'The Sea-Wolf', 'The Iron Heel', 'Martin Eden' 등이 있습니다. 소노마 카운티에 아름다운 농장을 소유했지만 수많은 여행에서 얻은 각종 질병과 술병으로 1916년 12월 22일 조용히 숨을 거두었습니다. 많은 논평가들이 잭 런던이 자살했네 어쩌네 하는데 그건 다 뻥입니다. 또 가난했다고 뻥도 치는데 그것도 거짓말입니다. 금광으로 거부가 되엇고 자신의 재산을 동물구호 운동과 사회주의 활동에 기부하여 오클랜드가 미국 공산주의의 메카로 만든 사람입니다.
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Jack London (1876-1916) was an American author best known for his fiction about California, Alaska, and the Pacific. His novel The Call of the Wild is among the most internationally popular works by an American. An autodidact, he directed his thirst for knowledge toward several passions, including sailing, ranching, and photography. He traveled widely, to Hawaii and throughout the South Pacific, through California, Oregon, Nevada, to Korea during the Russo-Japanese war, Mexico during the Mexican Civil War, and London, England, experiences which are reflected in his writing and his photographs.
p. 1 - Buddhist priests. Portrait of three Asian men. Two are sitting, wearing "Samo" style hats. one stands behind them wearing a "geumgwan" style hat. All three wear loose dark robes and are posed in front of an ornate, wooden wall.
p. 2 - Palace official. A young man sits posing for camera. He wears a "Beonggeoji" style hat and loose clothing. He holds a kind of staff in his right hand and another object in his left. Behind him is a decorative backdrop.
p. 3 - Palace official. A man poses, wearing an ornate traditional costume with a "Je-gwan" style hat. He stands in front of a decorative backdrop, a table with a floral arrangement to the right.
p. 4 - Dresses worn by officials representing Emperor at rites ancestral tablets. A man poses amid three flower arrangements. He wears a "Je-gwan" style hat, and formal garments.
p. 5 - Dresses worn by officials representing Emperor at rites by ancestral tablets. A man wearing traditional ceremonial costume and a "Je-gwan" style hat, poses for camera. He stands in a room with wooden cupboards, a stone wall, and an animal skin laid over a chair on the right.
1904년 당시 병조판서 윤정열 - 강대국이 유린하는 조선을 그저 눈만 껌벅거리고 있었다. p. 7 - Yun-Jung-Yul, present Minister of War. An older man poses sitting in front of a painted screen. He wears traditional formal attire, and a "Samo" style hat. His hands are clasped in his lap and he gazes downward.
1904년 총들고 다니는 일본군에 대비되는 칼찬 조선군인 p. 8 - Korean officer of army. Full length portrait of a man wearing formal attire and a "Beonggeoji" style hat. He stands against a plain backdrop, holding a sword under his left arm.
p. 9 - Korean army officer in uniform. A man is posed facing forward. He sits amid tables and plants, against a decorative background. He wears a traditional formal costume with a "Samo" style hat.
1904년 중동의 바카라가 무색할 여인네의 나드리 복 p. 10 - Korean woman. Full length portrait of a woman wearing a "jangot" a hooded cloak covering her entire body and most of her face. She poses against a plain background, a potted plant on the right.
1904년의 기생 p. 11 - Palace dancing girl. Full length portrait of a girl wearing formal attire. She holds one arm straight out, holding some kind of garment with a long tassel. She stands on a patterned rug, a potted plant and an open cabinet with various object on its shelves to the left.
1904년의 기생 p. 12 - Geisha. Three young women sit, posing for camera. The two women in front have legs crossed over knees. All three wear light colored, loose clothing and hold sunglasses in their hands. To the right is a table with books and a floral patterned curtain.
1904년의 여성의 평상복 p. 13 - Street costume. Full length portrait of a woman wearing a "jangot" a hooded cloak covering her entire body and most of her face. She poses looking away from camera, against a plain background. To the left is an arrangement of dried grasses and flowers.
1904년의 기생 p. 14 - Kee Sang. Full length portrait of a young women posed in amid a painted screen, tables with bowls and flowers on them, a pipe and singing bowl. She wears a long white skirt, or "chima" and holds her top open, her breasts exposed.
1904년 여성의 평상복 p. 15 - Korean woman street costume. Full length portrait of a woman wearing a "jangot" a hooded cloak covering her entire body and most of her face. She faces camera. To the left are three pots, two with plants in them.
1904년의 기생 p. 16 - Geisha. Two young women standing in front of a decorative background. They are posed amid a table, two potted plants and an ornate chair.
1904년 여성 평상복 p. 17 - Two young women wearing a "jangots" hooded cloaks covering their entire bodies and most of their faces. They face away from camera, holding their cloaks together at their necks They pose in front of a decorative background, two flower arrangements at their feet.
1904년의 기생 p. 18 - Korean girl. Full length portrait of a young girl posed in front of a decorative background. on the right is an ornate settee, on the left a table with flowers, a basket, and various objects on it.
1904년의 기생 p. 19 - Korean geisha keesang. Portrait of a young women, seated with one leg crossed over her knee. She looks directly into camera. To the left, potted flowers on a table.
1904년의 기생 p. 20 - Geisha. Portrait of two young women. one sits and looks away from camera, her leg crossed over her knee. The other is standing, her garment decorated with several "norigae" ornamental tassels. The two women hold hands between them. one holds a pair of dark glasses. They are posed in front of a decorative background with potted plants at their feet.
1904년 조선의 평범한 여인네 p. 21 - Korean woman. Portrait of a young women sitting with hands in her lap. To the left is a table with an ornamental box or book on it, and a potted tree.
1904년의 기생 p. 22 - Korean geisha. Full length portrait of a young woman. She holds a smoking pipe in one hand, and a piece of cloth in the other. The front of her garment is decorated with several "norigae" ornamental tassels. She stands between two potted plants in front of a plain background.
1904년 조선의 아이를 업은 여인네 p. 23 - Korean woman and infant. Full length portrait of a woman carrying an infant on her back via a wrap around her waist. Her breasts are exposed. She poses in front of a painted background, potted flowers on the lower right.
p. 24 - Korean woman with bucket on her head. An older woman stands outdoors smoking a long, thin pipe. She carries a wooden bucket on her head. Behind her is a stone wall and some sparse brush.
Korean Buddha outside north-gate p. 25 - Korean Buddha outside north-gate. Portrait of Okcheonam temple, which contains a sculpture known as the "White Buddha;" The temple has an ornate roof and ornamental decoration in front. It sits on a rocky hill near the Northeast Gate of Seoul.
한양 p. 26 - Seoul. Wide view of the city of Seoul. In the foreground, rooftops and trees, in the distance, buildings and mountains.
한양성벽 일부 p. 27 - Part of wall of Seoul. Section of a wide arched stone wall and bridge. The bridge transverses a rocky river bed, part of a fortification around the city.
독립문 p. 28 - Independence Arch. Old arch 500 years old, and the Peking Pass in the rear. Ruins of Independence Arch, a freestanding stone archway with two stone columns to the right, a utility pole to the left. The arch is located in an open area. In the foreground low-lying brush, and in the background, rocky hills.
독립문 p. 29 - Independence Arch, built when proclaimed Korean independence, through which Japs marched Peking Pass. Independence Arch, a freestanding archway standing over the Peking Pass outside Seoul. Scattered people walk under the arch and along an open promenade in front of the arch. Mountains in the distance through the arch.
p. 30 - Collbran & Bostwick Seoul Electric Co. A two story city building in a colonial style sits on a sparsely populated street. A few Koreans in white clothing walk along in front of building.
북문 p. 31 - North Gate. A large stone gate with an arched opening, and a curved tile roof. The stone city wall extends on either direction. on the right is a stone, thatched roof structure.
p. 32 - Outside of South Gate, Seoul. Stone gate with arched opening and two-tiered, curved roof. Outside the gate, several thatched-roof houses, and Korean laborers carrying bundles on their backs. Bowls and baskets are scattered over the ground in the foreground.
서대문 p. 33 - Outside West Gate - Seoul. Stone gate with arched opening and a curved roof. Outside the gate are several thatched-roof houses. Korean laborers walk through the gate, several carrying bundles on their backs.
동대문 p. 34 - East Gate from outside. City gate with a two-tiered, curved roof. View shows gate set at the corner of several open market stalls with thatched roofs, a few scattered Koreans mill about the area. To the left of the gate is a smokestack emitting dark smoke.
서대문 p. 35 - West Gate. View down a street to a city gate with an arched opening. on either side of the street are open market stalls. A few Koreans pass through the gate. A narrow trench runs though the street on the left.
동대문 p. 36 - Outside East Gate Seoul. Close view of a city gate with arched opening and curved roof. The wall of the gate is partially covered with climbing plants. A group of Koreans sit at the foot of the archway.
동대문 p. 37 - Side view East Gate inside Seoul. City gate with two-tiered, curved roof, slopes down to where it joins the city wall. A stairway leads down the left side of gate from the upper level. An older Korean man crouches on the ground with a child in the lower right corner.
원각사 p. 38 - Stone turtle sent by Chinese emperor. A stone sculpture of a turtle (bixi) with a column (stelae) rising out of its back, sitting in an open area. In the background is an open, thatched roof structure, a pagoda, and a pavilion in a state of disrepair.
동대문 p. 39 - Outside East gate Seoul. City gate with ornate, two-tiered roof. Groups of Koreans are gathered around open market stands in the foreground.
원각사 p. 40 - In rear marble pagoda given by former emperor of China to Queen of Korea, his daughter. A pavilion in foreground with a pagoda to the left, set in an empty, open area. In the background, a fence and houses of Seoul.
경회루 p. 41 - Lotus Temple. An open, two-story building with columns on all four sides, and a stairway in the middle leading up to the second level. The building is surrounded by lotus plants. In the background are several other buildings.
원각사 p. 42 - Temple of Heaven. The three-tiered roof of the temple is seen from a distance. In the foreground is what appears to be a residential Korean neighborhood, a complex of one story buildings with fences and tile roofs. Mountains in the background.
p. 43 - Temple of Heaven. Temple complex of several buildings of varying heights and styles. Two tiers of walls surround an area in the foreground. The alter building is on the left towards the back.
운현궁 p. 44 - Emperor's father's home. Exterior view of a one-story, tile-roof residence, a low stone wall along the side. on the left is a trellis made out of tree branches. A child sits on a step near the wall. In the background a grove of trees.
p. 45 - Gate of the Queen's palace from inside courtyard. Straight on view of gate with a curved, two-tiered roof, the palace wall extending in either direction. A grassy, open area in the foreground. To the right are few trees.
p. 46 - New palace garden. Multilevel garden with stone tiers, ornate walls and gates, and three buildings in the background. The garden is planted with tall flowers and ornamental grasses.
p. 47 - View in queens palace. A long, low wall with a simple gate in the middle under two trees. Beyond the wall the tile roofs of a complex of buildings and a mountain. In the foreground sparse brush and bare ground.
p. 48 - New palace gate. Ornate gate with three open sections and brick walls extending from either side. A cluster of Koreans in white sit to the left of the entrance and palace guards stand in and around the gate. Several dogs play in the open area in front of the gate.
남대문 p. 49 - Rear gate to new palace. Heavy concrete structure with a single arched opening. on top is a low brick wall and a curved roof. Several Korean men in white and black wide-brimmed hats walk in and around the gate.
p. 50 - Old palace gate. Entrance to palace with two front structures, and a low arch between them. The left section has a six sided roof. The second level of each has a fenced walkway that wraps around the structure. Several men in suits and straw hats stand in front.
p. 52 - Old palace. Two wide, two-story gate with a paneled front. Three men stand outside the one open door panel. In the foreground is a courtyard overgrown which appears to be untended.
p. 55 - Entrance to old palace. Straight ahead view of a large palace gate with a heavy, concrete base. The base has three arched openings and a two-tiered roof. Several men, two in striped clothing, ride bicycles toward camera. Other clusters of people stand to the sides and center of the structure.
p. 56 - Old palace. A pond in a formal palace garden, lily pads and lotus plants on its surface. A narrow footbridge extends over the pond on the left. A six-sided, two-story building sits near the shore of the pond, surrounded by thick foliage and trees. A woman walks down a path in the lower left corner.
p. 57 - Old palace. Four pavilions set along a path in through a wooded area. The path curves through the trees, with intermittent stairs between tiered levels of ground. The area is thick with brush and foliage.
p. 59 - Prince Yee-Sai-Gung & family. A man wearing white robes and black hat sits with an infant on his lap, a child stands to his right. Both children wear ornate hats. They post outside a brick building in a garden area.
p. 60 - Jain King Tomb. [?] A stone lantern, horse, and other sculptures arranged around a manicured clearing of grass. To the left are two guards in black, to the right, to men in white. Behind them a large mound-shaped topiary bush.
p. 61 - Interior of Temple of Poo-Kan-Seoul Mountain. Buddhist altar inside temple, including statues of Buddhist deities, offering bowls, a large thangka-style painting, and ornate ceiling and walls.
p. 62 - Korean troops. A procession of soldiers in dark uniforms and helmets, passes by a group of spectators that stand behind a low stone wall. Some of the troops carry large banners or tridents, some ride horses.
p. 63 - Emperor of Korea & troops. A procession of Korean troops and the Korean emperor carried in an ornate litter, pass over a low bridge. The soldiers wear dark uniforms and carry rifles with bayonets. A few spectators in white watch from the side.
p. 64 - Stone lantern. A stone lantern in the foreground of a manicured, grass area. Behind it are a stone sculpture of a horse, and another of an unknown deity.
p. 65 - Wongak-sa temple. A stone sculpture of a turtle (bixi) with a column (stelae) rising out of its back. Two Korean children play on the base. The sculpture sits in an empty area, a low brick wall and neighborhood in the background.
p. 66 - Telegraph office Ping Yang. View from above along a shoreline, a few small boats are moored to a breakwater. A dirt road lined with large clay pots leads to a complex of buildings in the center. To the left are docks and low storage areas.
p. 67 - Wongak-sa temple. A stone sculpture of a turtle (bixi) with a column (stelae) rising out of its back, sitting in an open area. Behind it to the left is a pagoda, and behind that is a low brick wall enclosing neighborhood houses. Two Korean children stand on top of the turtle and look towards camera.
p. 68 - emple Kong-Um-Mountains. Two temple buildings at the foot of a hill in a wooded area. They are both two stories with curved roofs. A large tree stands in front of the building on the right.
p. 69 - Temple of Fukan [?] 13 li from Seoul on mountain. Small, one-story temple building on a rocky mountainside. A pagoda sculpture is on the left, and stacks of what appears to be roofing tiles in front. The building is decorated with ornate panels and ornamental sculpture under the eaves of roof.
p. 70 - Sacred turtle in temple at Song-do. Two stone sculptures of turtles (bixi) with columns (stelae) rising out of their backs. They sit inside a pavilion with open walls made of posts.
p. 71 - Temple of Nam-San, Seoul Mountains. Small, one-story temple building set in a wooded area. A man in white stands in front of the building.
p. 72 - Buddha in country. A tall standing Buddha statue, with a wide face and crown, and a stone lantern, set in a stone courtyard area. Behind the courtyard is a wooded area, to the left, a temple building is partially visible. Several people stand at the foot of the Buddha.
p. 73 - Korean temple Kong-Um-Mountains. A long, one-story temple building with ornate, carved door panels. A pagoda sculpture stands in front of the building. Two men in white stand outside an open door of the building.
p. 74 - Korean temple Kong-Um-Mountains. Courtyard area and the side of a building nearly obscured by heavy foliage that hangs over the roof and trellis. Wooden posts in front support the trellis, stone walls and a stone bench in the background.
p. 75 - Song-do. A stream of people walk along a road that leads in and out of the city. They pass under a city gate with two pavilions atop it. A line of market stalls are on to the right of the road and tall poles hung with decorative streamers and topped with black ornaments are scattered around the road and gate.
p. 76 - Building on bluff. A small wooden building is built on a bluff overlooking the water. It sits partially on a brush covered hill, and partially on the rock of the bluff, and appears to be abandoned. Seen from a distance, three people stand on a boulder below the house. More boulders lead down to the shoreline.
1904년 한강철교가 있었다. p. 77 - Railroad bridge over river Han. A truss railroad bridge built over a wide river. on the near side, the bridge approach extends off of a earth embankment. A small wooden structure is next to the approach. The other side of the river is visible in the distance.
p. 78 - Poo-Kan-Seoul Mountains. View of mountains and a valley. The mountainsides are rocky or covered in low scrub brush.
p. 79 - Stone Buddhas near Hai-ju. Two Buddha statues with square heads and crowns are set on a hillside covered with deep brush.
p. 80 - Shoreline of a small inlet. on shore are a grove of trees and a tile-roof pavilion on the right.
p. 81 - Arched city wall. A river runs under a the arched openings under a city wall. A stone embankment on the right. Also to the right is a city gate with an arched entrance and tile roof. Mountains in the background.
p. 82 - Wood coolie. A Korean man carries a load of cut wood on an a-frame on his back. He stands on a rocky hill beside a grove of trees, and leans on a walking stick. A large stone structure in the background.
p. 83 - Shrine mountain. A small pavilion sits atop a large rock formation. A creek winds around the landscape. Rocky mountain terrain in the background.
p. 84 - Han River. A long sampan filled with passengers and cargo sits in the water near the shoreline. A second boat is behind it to the left. The other side of the river is lined with docked boats, their masts visible in the distance.
p. 85 - Ping Yang. A group of sampans docked near the shoreline, one is filled with clay pots, others carry passengers. People and clay pots are scattered along the shore. Other boats sit out on the calm, open water, the shoreline across the water visible in the distance.
p. 86 - Chemulpo. View of the bay with a breakwater in the foreground. on the right, sampans are docked near the shoreline, a hill with houses partially visible behind it. Several boats are out on the open water, with hills in the distance.
p. 87 - Chemulpo. A sandy shoreline with two sampans moored in the shallow water. A small island in the harbor is on the left, other boats are out on the calm, open water.
p. 88 - Horse ferry boat. Close view of a sampan being drawn by a horse through shallow water. The horse is being led by a man with a long braid. The boat is laden with passengers, some with umbrellas, some wearing conical hats. Docked boats and a hill with houses in the background.
p. 89 - Horse ferry boat. A long sampan filled with passengers, a horse, and cargo, sits near the shoreline of the harbor. Many of the people wearconical hats. In the background, the masts of other boats docked across the water and hills.
p. 90 - Korean junk. A boat with two square sails sits out in the calm, open water. A few crewmen on deck. Behind it is the harbor and a shoreline in the distance.
p. 91 - Washing clothes in River Han. Several women and children crouch on the shoreline, washing clothes on the in the water and on the rocks. A two-masted boat is on the left with a few men on board under a thatched canopy. In the background, houses on a hill and the masts of other boats.
p. 94 - River Han. Seen from above at a distance, the shoreline of the river lined with docked boats. A few boats are out on the open water. In the foreground are deep brush and trees. Across the water land and hills with houses.
1904년 한강얼음낙시 p. 95 - Ice fishing. Two men in loose white clothing, their hair in topknots, crouch down near a hole in the ice. The man on the left holds fishing gear down into the hole. Two children stand behind hem, a creel sits on the ice to the left. The frozen body of water reaches into the background.
한강나루터 p. 96 - River Han. Several boats moored in a small inlet. on the left, several crewmen stand and sit on deck of a long sampan. A small rowboat is tied to the larger boat. Across the inlet, a stone breakwater with several and more docked boats. A hill with houses is in the background on the right.
1904년의 제물포 포구 p. 97 - Chemulpo. on a sandy shoreline, people make their way up from the water. A group of men with large bundles on their backs walk in a line, others have a-frame backpacks. A boat with two masts is docked at the shoreline. Out in the harbor, a steamship and a few other small boats.
1904년 평양 대동강변 p. 98 - Ping Yang. Close view of women crouching in the water between the rocky shore and a row of docked sampans. They wash clothing in the water, piles of light colored clothing piled on the rocks. Docked boats and their masts stretch out into the distance.
1904년의 한강변 p. 99 - River Han. What appears to be stripped logs are tied together in rows, and lay on a sandy area a short distance from the shoreline. In the distance, boats are docked near the shore, and behind that a hill with houses and trees.
1904년의 제물포, 증기선이 근해에 정박해 있다. p. 100 - Chemulpo. Harbor covered in ice, broken up in most places. Two larger sailboats and a small steamship are out on the frozen water. The smokestack on the steamship is billowing black smoke. Across the water, a shoreline and the masts of docked boats. Mountains in the distance.
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